Bascha Mon
Bascha Mon, born in 1932 in Newark, NJ, is known for her evocative work that blends personal experience with abstract and representational forms. Now based in Long Valley, NJ, Mon’s work channels a rich tapestry of daily experiences, including themes of identity, personal relationships, memory, migration, and nature through painting, sculpture, encaustics, and installation.
Mon earned a degree in French and Spanish literature from Skidmore College before embarking on her artistic journey in her 30s, following years devoted to motherhood and family life. After spending five years teaching elementary students in public schools, she chose to explore a new path in art. She studied at the Art Students League, igniting a lifelong passion for color, experimentation, and an unwavering pursuit of new artistic challenges. Mon has since shared her expertise and enthusiasm by teaching at various institutions, including the New Jersey Center for Visual Arts, Hunterdon Art Museum, Somerset Art Association and through private instruction.
Recent exhibitions like New Land and the collaborative Flags for the New Land at the Center for Contemporary Art in Bedminster, NJ (2019), highlight Mon’s deep engagement with the emotional landscapes of immigrants and refugees. Approaching the age of 92, Mon continues to translate her unconscious and personal memories onto works on paper, deeply influenced by and harmonizing with the music of Olivier Messiaen.
Mon’s contributions to art have been recognized through fellowships from the New Jersey State Council for the Arts and the New York Foundation for the Arts. Her work is featured in esteemed collections, including the Hunterdon Art Museum, Osaka Contemporary Art Center, State Museum of New Jersey, the Artists’ Library at the Victoria & Albert Museum, and the Newark Public Library as well as the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, the Newark Museum and various private collections.
Mon’s retrospective at Tappeto Volante Projects, Bascha Mon: A Celebratory Retrospective of An Artist’s Life and Journey of Dreaming, Perseverance, Activism, & Unconscious Expression, will mark her first New York solo exhibition in 47 years, showcasing her enduring evolution and resilience in expanding the boundaries of expressive storytelling through a lifetime of artistic discovery.
Bascha Mon, "Maps + Games," 1978, Oil and Perlite on Homasote, 48 × 48 in
Bascha Mon, "IN MEMORY (RECOLLECTIONS SERIES)," 1978-81, Oil on Homasote, 48 × 48 in
Bascha Mon, "Maps + Games #2," 1978, Oil and Perlite on Homasote, 48 × 48 in
Bascha Mon, "Artifice and Artifacts (FROM RECOLLECTIONS SERIES)," 1978, Oil on Homasote, 57 × 48 in
Bascha Mon, "Prince Street," 1977, Oil on Homacote, 48 × 72 in
Bascha Mon, "Reverberations," 1978, Oil on Homasote, 72 × 48 in
Bascha Mon, "Untitled," 1998-2000 or earlier, Oil on linen, 24 × 24 in
Bascha Mon, "Tangerine - A Song for Aunt Riva’s Uncomfy Couch," 2013, Oil on linen (edges painted with acrylic), 6 small interchangeable oils on canvas rest on top of painting, 56 × 48 in
Bascha Mon, "Searching for Joy - Lemon Glow," 2012, Oil on linen, 48 × 48 in (Surrounding by 7 works on paper oil on l’huile paper, oil pigment, gouache on Yupo, gouache on paper; overall size variable - approximately 60 × 65 in)
Bascha Mon, "IF LIFE WERE REALLY A BOWL OF CHERRIES, I WOULD PAINT EVERY DAY!," Saturday, May 20, 2023, Carbon Pencil, gouache on Arches, 16 × 12 in
Bascha Mon, "APRIL DRENCHED US BUT GEORGIA SEEMED PRESENT," Saturday April 29, 2023, Carbon pencil, gouache on Arches paper, 16 × 12 in
Bascha Mon, "WHEN LIFE IS A SCRAMBLE, THIS MAY BE WHAT YOU GET," Sunday, June 12, 2022, Carbon Pencil, gouache on Arches Paper, 12 × 16 in
Bascha Mon, "NO RAIN! NO MEYER LEMONS! NO DODGERS IN BROOKLYN!," (affectionate memories of Uncle Barney Stein, photographer of Brooklyn Dodgers), Carbon pencil, lead pencil, gouache on Arches paper, 16 × 12 in
Bascha Mon, "PUSHING AGAINST BOUNDARIES – In honor of 100 years of life – Shirley Wershba," Thursday, July 7, 2022, Carbon pencil, watercolor,and gouache on Arches paper, 12 × 16 in
Bascha Mon, "FIRST SNOW – 2022," Friday January 7, 2022, Carbon Pencil, gouache on Arches paper, 12 × 16 in
Bascha Mon, "WHERE AM I NOW? Dedicated to R.B.G," Saturday January 18, 2020, Carbon pencil, gouache, on Arches paper, 12 × 16 in
Bascha Mon, "WHEN CONSCIOUS MIND IS IN A JUMBLE, WHAT IS UNCONSCIOUS SAYING," June 30, 2024, Gouache, carbon pencil on Arches paper, 18 × 14 in
Bascha Mon, "SAD YET HOPEFUL! UNITE!," Sunday, July 21, 2024, Gouache, carbon pencil on Arches paper, 18 × 15 in
Bascha Mon, "FLYING FREE!," 2023, Carbon pencil, lead pencil, gouache on Arches paper, 18 × 14 in